Mystery Behind The Kailash or Kailasanatha Temple of Ellora Caves

:"The Kailash or Kailasanatha Temple":

Location :":

The Kailash or Kailasanatha temple is one of the largest rock-cut ancient Hindu temples located in Ellora, Maharashtra, India. A megalith carved out of one single rock, it is considered one of the most remarkable cave temples in India because of its size, architecture and sculptural treatment.

The Kailasanatha temple (Cave 16) is one of the 32 cave temples and monasteries known collectively as the Ellora Caves. Its construction is generally attributed to the 8th century Rashtrakuta king Krishna I in 756-773 CE. The temple architecture shows traces of Pallava and Chalukya styles.

History :":

The Kailasa temple architecture is different from the earlier style prevalent in the Deccan region. As stated above, it appears to be based on the Virupaksha Temple at Pattadakal and the Kailasa temple at Kanchi, but it is not an exact imitation of these two temples. The southern influence on the temple architecture can be attributed to the involvement of Chalukya and Pallava artists in its construction. The indigenous Deccan artisans appear to have played a subordinate role in the temple's construction.

The entrance to the temple courtyard features a low gopuram. Most of the deities at the left of the entrance are Shaivite (followers of Lord Shiva) while on the right hand side the deities are Vaishnavites (followers of Lord Vishnu). A two-storeyed gateway opens to reveal a U-shaped courtyard. The dimensions of the courtyard are 82 m x 46 m at the base. The courtyard is edged by a columned arcade three stories high. The arcades are punctuated by huge sculpted panels, and alcoves containing enormous sculptures of a variety of deities. Originally flying bridges of stone connected these galleries to central temple structures, but these have fallen.

Within the courtyard, there is a central shrine dedicated to Shiva, and an image of his mount Nandi (the sacred bull). The central shrine housing the lingam features a flat-roofed mandapa supported by 16 pillars, and a Dravidian shikhara. The shrine – complete with pillars, windows, inner and outer rooms, gathering halls, and an enormous stone lingam at its heart – is carved with niches, plasters, windows as well as images of deities, mithunas (erotic male and female figures) and other figures. As is traditional in Shiva temples, Nandi sits on a porch in front of the central temple. The Nandi mandapa and main Shiva temple are each about 7 metres high, and built on two storeys. The lower stories of the Nandi Mandapa are both solid structures, decorated with elaborate illustrative carvings. The base of the temple has been carved to suggest that elephants are holding the structure aloft. A rock bridge connects the Nandi Mandapa to the porch of the temple. The base of the temple hall features scenes from Mahabharata and Ramayana.

The kailasa Temple Is a Temple Which symbolizes Mount Kailash as a home of the GOD of GODS or The DESTROYER "Lord Shiva". It is very much an elephant place as there are statues and reliefs of elephants in and around the location. An Image of the Sacred bull "Nandi" is on the Central Temple. like others Hindu Temple, The Kailasa Temple has a Shikhara (Spire), and inside there is a ring of flower relief on the ceiling on the central room.

About The Construction :":

The Kailasa Temple is notable for its vertical excavation—carvers started at the top of the original rock and excavated downward. The traditional methods were rigidly followed by the master architect which could not have been achieved by excavating from the front.

A medieval Marathi legend appears to refer to the construction of the Kailasa temple. The earliest extant text to mention this legend is Katha-Kalpataru by Krishna Yajnavalki (c. 1470-1535 CE). According to this legend, the local king suffered from a severe disease. His queen prayed to the god Ghrishneshwar (Shiva) at Elapura to cure her husband. She vowed to construct a temple if her wish was granted, and promised to observe a fast until she could see the shikhara (top) of this temple. After the king was cured, she requested him to build a temple immediately, but multiple architects declared that it would take months to build a temple complete with a shikhara. One architect named Kokasa assured the king that the queen would be able to see the shikhara of a temple within a week's time. He started building the temple from the top, by carving a rock. He was able to finish the shikhara within a week's time, enabling the queen to give up her fast. The temple was named Manikeshwar after the queen. M. K. Dhavalikar theories that Kokasa was indeed the chief architect of the Kailasa temple, which may have been originally known as Manikeshwar. Multiple 11th-13th century inscriptions from central India mention architects born in the illustrious family of Kokasa

Images Of the Creation of Ellora The Kailasa Temple :":

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